Com and all other subjects' notes are available here. Bacon made a valuable contribution to the development of English prose. Bacon did really great things in this sphere. He proved that it was possible in English also to express the subtleties of thought in clear, straightforward, and uninvolved sentences and, when necessary, to condense the greatest amount of meaning into the fewest possible words.
He was a he was a writer who received his training from the writers of the seventeen eighteenth century. Essayists like Fuller, Browne, and Burton and by Shakespeare and other dramatists of that time influenced him.
The attention and admiration with which he studied them is apparent in his style of writing. Yet one cannot say that he followed any particular ney style. Critics have alleged that Lamb is an imitator though some others have contradicted such opinions.
Lamb's style is analyzed by Hugh Walker with the following words, 'In the style of some of Lamb's passages there is a touch of Sir Thomas Browne that 'fantastic old great man' whom Lamb loved so well and so wisely.
There are many other traces of the same influence elsewhere In point of style Lamb is not wholly modern His exquisite but mannered English was based upon the masters of the seventeenth-century men like Browne and Burton of the 'Anatomy' and Fuller.
To them, he was drawn by a natural kinship. Their thoughts were largely his, their quaintness and conceits fitted in with his humour, their antique flavour pleased his critical palate. This natural affinity combined with the thoroughness of Lamb's knowledge of them made the imitation if a thing so natural can be called by that name—successful and explains the genesis of a style at once antique and for this purpose to which it is turned unsurpassed in effectiveness' According to Hallward and Hill, 'He is so well acquainted with the Elizabethan writers that when he follows their veins of thought he seems insensibly to adopt their style and the very cadence of their writing The result of this is a kind of mannerism which is not so much an affectation, though he calls it'a self-pleasing quaintness,' as the natural effect of his preference for the ancient authors.
His mind was so saturated with what he read that he could not avoid the use of their phraseology any more than a child brought amongst his elders can avoid using what we call old-fashioned expression. There are several examples of allusions, quotations, misquotations, and references.
He drew freely from the Bible, Shakespeare, and Milton. Sometimes he used a full quotation, or sometimes a part-quotation and at times certain words or phrases which appealed to him or which would illustrate or suit his subject matter.
Sir Thomas Browne's Religio De Medici and Robert Burton's The Anatomy of Melancholy influenced him tremendously and he owes several Latinisms, antique and archaic words, phrases and even the rhythm of sentences in his essays to them. Some phrases like 'insolent Greece' or 'haughty Rome' is from Ben Jonson; 'love forbade pride' from Spenser; 'a ram's horn blast' from The Bible are a few examples.
At times, his quotations are so obscure that it requires immense effort to find their real authorship. At other times he quoted from his own poems-one of his whimsicalities. He was found to misquote at times, perhaps to show his apathy for pedantic attitudes.
Lamb quoted to expound his emotion or the central mood of his essays. Lamb's essays portray different moods and the sentime mood is reflective in 'New Year's Eve' and 'Popular Fallacies' witty in 'Poor Relations;' fantastic in 'Chapter on Ears' and modern in 'Newspapers Thirty-five years ago' as opined by Hallward and Hill.
Lamb was endowed with poetic-sensitive and whatever he wrote, he elevated to the height of a prose poem as the essay 'Dream Children: A certain mood or emotion was enough for Lamb to build his essays, which gave them thematic unity.
As the titles suggest, his choice of themes and subject matter for his essays was always commonplace. A follower of Wordsworth, he learnt that a thinking heart could find a tale in everything. As opposed to the essays of Addison and Steele and others before them, he did not adopt a familiar tone for social reform or for didactic purpose.
In Lamb, his tone was familiar to suit his subject matter and this was his sole purpose. His sentences are sometimes short and sometimes very lengthy as these sentences from My Relations' illustrate.
We have one sentence as short as, 'He cannot wait' and a long sentence, 'In my next, reader, I may perhaps give you some account of my cousin Bridget -- if you are not already surfeited with cousins-and take you by the hand, if you are willing to go with us, on an excursion which we made a summer or two since, in search of more cousins- through the green plains of pleasant Hertfordshire.
He never seems to take a single stand. This is perhaps the charm of Elia through whom Lamb writes. Interaction with Elia, entertains the reader and he remains unaware of the writer's intent, he is embroiled in the charm of Elia's conversation and the sense of intimacy he is able to create.
This helps in making Elia elusive. For Lamb, the essay is not a vehicle of ideas rather it is his instrument on which he plays different tunes.
Almost all his essays are highly subjective. Not only is his tone familiar, his subject-matter commonplace, he is personally present in his essays expressing his own opinions.
The personality of Elia is so charming, so attractive that he seems to become even more important than the essay itself.Nov 10, · On the other hand, there are many examples of 'stylish' prose writing and a selection from a shelf of classic literature would allow you to find a style and form which appeals to you - for you, the author will be the 'best' stylist because you can most recognise the appeal of the style.
Addison, regarded as one of the greatest prose stylists in English literary history, and the ‘founder of modern English essay and modern English prose, was the pioneer of a style that was very simple, lucid, natural, moderate, free from extravagant expression, and called ‘middle style’.It is a style of straightness, without any obscurities, ambiguities, complexities, or superfluities.
Writing Essays About Literature is designed to strengthen argumentation skills and deepen understanding of the relationships between the reader, the author, the text, and critical interpretations.
Its lessons about clarity, precision, and the importance of providing evidence will have wide relevance for . - Pre Prose Prose is the writing style of text such as a story and in this essay I will evaluate the use of the writing style in pre mystery prose and the way in which it is creates an effective atmosphere for the reader and how different to the modern, writing style of today.
Style Sheet for Essays These rules apply to tutorial essays, Research Essays, Course Essays, MA Issues in Modern Two paper copies must be handed in to the English Department office by the deadline unattempted yet in prose or rhyme. Where a whole sentence is quoted in full, without any interruption, the final full stop in the.
The examination consists of four essays; Saintsbury's well-considered Specimens of English Prose Style, from Malory to Macaulay (Kegan Paul), a volume, as we think, as itself a document or standard, in the matter of prose style.